Atmospheric Perspective: Two Color Theories

Learn how color shifts create depth in acrylic landscapes. Explore two main theories of atmospheric perspective: more blue vs less yellow.

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When painting depth in landscapes, color is just as important as value. This short lesson explores two main color theories that explain how pigments shift as they move into the distance.

This lesson is part of the Acrylic Landscape Painting Fundamentals Course.

Two Color Theories for Atmospheric Perspective

There are two popular approaches to describe how color changes with distance 

  1. More Blue Theory – As colors recede, they gain more blue.
    Air and light scatter warm wavelengths, leaving cooler ones behind.
    The result: distant trees, hills, and mountains often appear lighter and bluer.
  2. Less Yellow Theory – Instead of adding blue, you gradually remove yellow from your mixes.
    Foreground greens are warmer and more yellow; as they recede, yellow fades, leaving cooler greens that feel more distant and calm.

Both methods work. The key is to experiment and decide which approach gives your landscapes the most natural depth.

You can even combine them — reducing yellow and introducing subtle blue shifts — for the most convincing results.

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