Loose Acrylic Still Life Painting Tutorial
When I paint interiors, it could be seafood dinners, Twinkies, or a glass of milk. This step-by-step acrylic still life keeps it raw and loose—garage style.

In this tutorial, I’ll show you how to paint a loose acrylic still life step by step. No polish, no three-camera setup—just the way I paint in the garage studio.
I’ve got plenty of excuses for why I don’t paint more interior-inspired artwork. It’s right in my wheelhouse, too. The possibilities are endless—anything from a seafood dinner setup to a patterned tablecloth with HoHo’s and Twinkies (oh, and let’s not forget the tall glass of cold milk).
👉 If you’re brand new, you can start at the Acrylic Hub — it’s got all the free courses and guides in one place.
Anyhow, enjoy the video, and scroll down to see the step-by-step breakdown, the finished image, and my go-to acrylic toolbox.
Video tutorial
Composition Setup
I keep it simple: a table with a couple of chairs, some dishes, a kettle, a teacup with saucer, and a vertical bottle with a few flowers. That’s all you need. A few bits of silverware finish the setup—knife, fork, spoon. Nothing fancy.
First Block-In
- Start with cool tones: blues mixed with a touch of white for darker areas around the table.
- Add off-whites for the saucers using orange, blue, and white.
- For the table: bold yellows—Hansa yellow and Dairy light—dialed back with a touch of ochre or cobalt turquoise. Don’t aim for the final color yet; keep wiggle room for later passes.
I leave breaks of white paper showing through. Those gaps keep the painting lively and give me spots to suggest details later.
Building Color & Contrast
- Bottle: green tones, echoed in the chair and a few other areas to tie the composition together.
- Light source: from the left, so I add warmer yellows + white to surfaces facing the light.
- Shadows: mix gray into yellows and blues, knock it back with green for intensity.
At this point, shapes are rough, but they start to read as cups, dishes, and bottles.
Background & Depth
For the background, I mix orange, green, and brown to suggest wood paneling. Then I push into darker ultramarine + red mixes for contrast against the yellow table.
If the background gets too loud, I gray it out so it doesn’t fight with the focal point.
Details & Finishing Touches
- Add designs on cups—small touches of red, blue, or burgundy.
- Anchor the bottle with darker green at the base.
- Bring in highlights with lighter yellows and whites.
- Suggest cutlery with quick gray strokes.
- Keep details minimal. This isn’t about perfection—it’s about keeping the painting loose and alive.
A final dryer pass locks everything in. A few extra dots of color, a rim on the cup, maybe even a quick signature—and it’s done.

Final Thoughts
Loose acrylic still life painting isn’t about chasing realism. It’s about building a simple composition, blocking in color, then using light, shadow, and a few details to let the subject emerge.
Keep it messy, keep it raw, and don’t be afraid to let the brush do the talking.
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Recommended Acrylic Painting Materials
-
Princeton Catalyst Brushes – Flats (#6, #12), Rounds (#4, #8), Fan (#4), Liner Brush
Durable synthetic bristles for versatile acrylic techniques -
Liquitex Heavy Body Acrylic Paint – Essential Colors
Cadmium Yellow, Yellow Ochre, Alizarin Crimson, Cadmium Red Light, Ultramarine Blue, Cobalt Blue, Burnt Sienna, Titanium White -
Winsor & Newton Cotton Canvas
Reliable stretched canvas for studio and plein air work -
Strathmore 400 Series Mixed Media Paper
Heavyweight, acid-free paper for acrylic and mixed media -
Fabriano Artistico 140lb Cold Press Paper
Excellent for acrylic, mixed media, and textured effects -
Blick Multi-Colored Painting Knife Set
Variety of shapes for texture, scraping, and bold strokes - Miscellaneous: Two pint-sized water containers, paper towels (from Home Depot or Walmart)
- Note: I use canvas or sturdy cardboard as my palette — no store-bought palettes needed.